She said they were part of a latent social code that hoped to suppress women and minorities. You don't get to tour. He really is a good essayist, though, and strangely all the disguises add to the charm. Sex, Drugs, and Cocoa Puffs is also a perfect clickbait title.
The more time that passes, the more likely a work of cultural criticism is to fall to this fate. And while I'm not exactly happy about that truth, it doesn't make me sad, either. In places, it was a genuinely smart, ahead-of-its-time book. A discussion of the question "What is reality? The world changes; the book, by definition, cannot. Stories like Say Anything are fucking people up. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous. An analysis of how American culture is upset with the unrealistic images of success it has created, as stemming from a discussion of the Pamela-Tommy sex tape. I do believe that. That means for people like himself who think about the issues of life through the difference of approach between Radiohead and Coldplay rather than that between Socrates and the Sophists. Should I be writing such thoughts? I assume I found the book through a mention in the magazine, then bought and read it on the dirty couch my roommates and I had salvaged from somewhere. Klosterman explains how the s rivalry between the Los Angeles Lakers and the Boston Celtics symbolizes all rivalries in life, including politics, religion, and race. The Woody Allen shit, I guess I knew, but when I was saying he was kind of weird it was more to do with him marrying a woman that his ex-girlfriend adopted or whatever. A generous reading of the intent of Cocoa Puffs, if perhaps not all of the subject matter, would be that it wants its readers to do the work to find these people, value their contributions, and make these changes. In an essay on Billy Joel - whose significance is that he's a major pop musician whom no one, ever, can think of as "cool" or want to emulate - Klosterman declares that "the musical component of rock isn't nearly as important as the iconography and the posturing and the idea of what we're supposed to be experiencing" an amazing and telling statement for a journalist who worked extensively at the music magazine Spin. That might seem like a trite idea now, but 15 years ago it read as a valid, necessary, and novel critique of reality television as it was becoming increasingly mainstream. Take an old-fashioned ethical dilemma: Klosterman interviews and spends a few days with the members of a Guns N' Roses tribute band, "Paradise City," and outlines the significance of tribute bands. A brief history of the cereal industry, and how Kelloggs was begun as a religious company, but now is a microcosm for coolness. But I'll certainly say those words, and I'll deliver them with the utmost sincerity, even though those sentiments will not be there. It's the truth now, and it will be in the future. Between each essay, or track, is an "interlude"—a short, entertaining blurb linking the essays. Sex, Drugs, and Cocoa Puffs is also a perfect clickbait title. The following essays are included in Sex, Drugs, and Cocoa Puffs:
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Chuck Klosterman's 23 Questions
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